Adults

Wednesday, September 2, 9, 16, 23, 30, Oct 14, (no class Oct 7), 2–3 pm (6 sessions) 

Paris was the art center of France and the world in the second half of the 19th century, and many young people came there to become a part of this exciting enterprise. Not every prospective artist felt drawn to the official establishment, which served the authoritarian government of Napoleon III. Édouard Manet, 
son of an official of the judiciary, became the center of a group of these independent-minded painters. Among these were Claude Monet, son of a grocer from Normandy; Edgar Degas, from a Paris banking family; Camille Pissarro, 
whose family were Jewish textile merchants settled in the West Indies; Auguste Renoir, son of Montmartre tailors; Paul Cézanne, a coarse peasant from Provence; and Berthe Morisot, daughter of a government administrator. These 
are heroic names in our time; but in their own day the public was decidedly not ready for their radical new view of modern France. This series will look at the famous independent exhibitions these artists organized to show their works, and examine other great painters drawn into the orbit of artists known today as 
the Impressionists.

Instructor: Dr. Donald Schrader, Adjunct Professor of Art History, University of Mary Washington

Tuesday, September 1, 8, 15, 22, 29, Oct 13, (no class Oct 6) 2–3 pm (6 sessions) 

Expanding beyond earlier versions of this popular course, this session focuses on three-dimensional art in the museum’s collection. This skill-building course helps you refine your observational skills and practice interpreting art with greater precision. In-gallery and highly participatory, this course is designed to 
take your art-viewing pleasure and acumen to higher levels.

Instructor: Dr. Susan Glasser, Independent Art Historian 

Wednesday, October 7, 14, 21, 28, 6 - 7 pm (4 sessions) 

Explore the art of the ancient Andes! This course surveys the major cultures and artworks from the ancient Andes, which consists of the present-day countries of Peru, Bolivia, and Ecuador. We’ll begin with the monumental architecture, ceramics, and metalwork from the Chavín culture and continue chronologically through to the incredible textiles and landscape architecture 
of the Inka Empire.

Instructor: Dr. Jeanette Nicewinter, Associate Professor, Art History, Annandale Campus, Collegewide Honors Lead Faculty, Northern Virginia Community College

Thursday, November 19, 1–2:30 pm (1 session) 

Join Dr. Theresa A. Cunningham, Associate Curator of European Art and the Mellon Collection, for a closer look at the exhibition The Impressionist Revolution: Monet to Matisse from the Dallas Museum of Art. This one session class will focus on works of art in the exhibition and the provocative art movement that set the course for modern art in the 1870s and beyond.  

Instructor: Dr. Theresa Cunningham, Associate Curator of European Art and the Mellon Collection 

Thursday, December 3, 1–2:30 pm (1 session) 

Join Dr. Cordier for an exclusive behind-the scenes look at The Impressionist Revolution: Monet to Matisse from the Dallas Museum of Art. Discover how a major exhibition comes to life, from essential curatorial questions and fresh scholarship to gallery design, interpretation, and the cross departmental and partner collaborations that make a project of this scale possible. Don’t miss this one-session class and special preview of this exciting exhibition!

Instructor: Dr. Sylvain Cordier, VMFA’s Paul Mellon Curator and Head of the Department of European Art 

Tuesday, Sep 15 –Dec 1, 1 – 3:30 pm (12 sessions)

This introductory class helps students develop basic skills using various techniques and materials. Observation, imagination, memory, and creativity will be utilized while building skills and confidence.
 
Instructor: Catherine Purdy

Expand the use of color in drawing with soft pastels, employing various application methods and paper choices. Students work from the still life or subjects of their choice. Individual critiques provided. Prerequisites: basic drawing skills.

Instructor: Dawn Flores

Wednesday, Sep 16 –Nov 18, 1 –4 pm (10 sessions)

Learn to generate ideas, choose subjects, and adopt approaches for using paint, pencil, and pastel. Students also work on independent projects, with guidance and individual critiques from the instructor. Prerequisites: basic drawing & painting skills.

Instructor: Dawn Flores

Monday, September 14– November 16, 1:30–4:30 pm (10 Sessions)

Students will hone their drawing skills by working from live specimens, and occasionally photographs, of a variety of flowers, plants, and seeds. Learn to examine structure in nature and translate that structure into drawing while focusing on composition. Botanical demonstrations in a variety of mediums will be included in this course. Students will work in graphite to begin with and expand into colored pencils. Learn about the history of botanical illustration while studying a diversity of artists. Prerequisite: basic drawing skills.

Instructor: Dawn Flores

Monday, Sep 14 –Nov 16, 9:30 am–12:30 pm (10 sessions)

Learn a wide variety of watercolor techniques while using related drawing mediums in this course for beginning and experienced watercolor artists. Students work directly from the still life, landscape, and other subject matter, with discussions of color and watercolor masterworks offering inspiration. Individual and group critiques provided. Prerequisites: basic drawing skills.

Instructor: Dawn Flores

Tuesday, Sep 15– Dec 1, 9:30 am–12:30 pm (12 sessions)

Learn to use direct observation when painting from life. Through demonstrations, observation-based painting exercises, and instructions, beginning and intermediate artists strengthen their ability to see color and value relationships, and they learn how to mix colors accordingly. Students also learn to simplify any subject matter by identifying color masses from which to develop realistic or abstract paintings. Prerequisites: basic drawing skills.

Instructor: Amy Smith

Monday, Sep 14– Nov 30, 1–4 pm (12 sessions) 

Explore drawing and painting from direct observation, photos, or sketches and depict various subjects including the still life, human figure, and landscape. Students develop a more personal approach to imagery, drawing, and painting styles by examining the formal and expressive aspects in their work and that of classical to contemporary artists. Prerequisites: basic drawing and oil painting skills.

Instructor: Amy Smith

Thursday, Sep 17–Dec 10, 9:30 am–12:30 pm (12 sessions)

This is a great studio course for students at the intermediate level who are working to develop their own personal painting style and approach to imagery. With individual guidance, students will explore painting strategies and working methods. Prerequisites: basic drawing and oil painting skills.

Instructor: Martha Prideaux

Friday, Sep 18–Dec 11, 10 am–1 pm (12 sessions)

Expand technical and critical skills and learn to develop new ideas and imagery. In the studio, students will work from a variety of subjects, focusing on color and abstraction. Critiques and discussions about contemporary painting will also be included. Prerequisites: basic drawing and oil or acrylic painting skills.

Instructor: Sally Bowring

Wednesday, Sep 16 – Nov 4, 9:30 am –12:30 pm (8 Sessions)

Explore drawing and painting the landscape from direct observation. With guidance from the instructor, students will develop a more fluid response to painting on location. Students must provide their own plein air painting easel, stool and painting supplies. Prerequisite: basic drawing and oil or acrylic painting skills. 

Instructor: Maria Reardon

Tuesday, Sep 15–Dec 1, 10 am–1 pm (12 sessions)

Using found materials, create unique images that range from abstract and dynamic to representational and poetic. The instructor will discuss materials, techniques, mounting, and presentation. Explore one of the most satisfying forms of visual play. Experienced students are also welcome.

Instructor: Diana Detamore

Monday, Sep 14–Nov 30, 10 am – 1 pm (12 sessions)

Each session introduces a unique combination of mediums—such as acrylics, collage, ink, pastels, mark-making tools, found objects, and more, encouraging creative freedom and personal expression. Through demonstrations and open studio time, you’ll learn how to layer textures, play with color, make expressive 
marks, and bring your artistic vision to life. Repeat students may choose to work on independent projects.  Prerequisites: basic drawing and painting skills.

Instructor: Martha Prideaux

Wednesday, Sep 16 – Dec 9, 10 am – 1 pm (12 sessions)

Make playful and colorful art using familiar and unusual techniques and media. In this lighthearted class, you will learn to generate ideas for imagery, simplify drawings while adding personality, make a portfolio to hold experiments and samples, and create finished art. Students will develop an intuitive feel for mixing and using color. Techniques include painted paper collage, trace monotype, stencils and masks, smudging 
and scribbling, crayon, simple printmaking, and fun ways to add lettering and words to your art. Each technique will be anchored in hands-on practice and showcased through a series of simple artist book structures you’ll build throughout the course, giving your experiments and finished work a rich and 
beautifully curated place to live.

Instructor: Sarah Hand

Wednesday, Sep 23–Dec 2, 9:30 am–12:30 pm (10 sessions)

In this color class designed for beginners, professional artists, and aspiring designers, students complete a series of exercises using The New Munsell Student Color Set. Assignments will aid students in a better understanding of color use, mixing, color schemes, selection for personal projects, creation, manipulation, and organization. The color theories of Albert Munsell and Joseph Albers will be discussed along with the color world of Pantone. Students may choose to work with watercolors, acrylics, or oil paints.

Instructor: Catherine Southall

Thursday, Sep 17 - Oct 22, 9:30 am - 12:30 pm (6 sessions)

Students will design and stitch together their own sketchbooks to their individual desired specifications. Then, with guidance from the instructor, they will explore a myriad of drawing, collage, and writing techniques to help capture 
that special moment or place. Mini field trips within and outside VMFA, along with personal mementos, and photos will offer source material and inspiration.

Instructor: Kathleen Calhoun

Thursday, Sep 17–Nov 5, 1–4 pm (8 sessions) 

Gouache (pronounced “ga-wash”) is a versatile paint that can be opaque like acrylics, fluid like watercolors, and reawakened with water even after it has dried on your paper. You will learn the basics of using gouache to mix and layer colors, to paint subjects from life and from photos in at least two different styles.  Prerequisites: basic drawing & painting skills. 

Instructor: Grace Mae Huddleston

Thursday, Sep 17 – Dec 10, 7–9:30 pm (12 sessions)

This introductory class helps students develop basic drawing skills using various techniques and materials. Observation, imagination, memory, and creativity will be used to build skills and confidence.
 
Instructor: Amy Smith

Tuesday, Sep 15–Dec 1, 7–10 pm (12 sessions)

Expand technical skills in drawing and painting and learn to develop new ideas and imagery. Students will work with drawing and/or painting materials of their choice. The instructor will offer demonstrations and provide guidance when exploring new materials and methods. Prerequisites: basic drawing skills.

Instructor: Amy Smith

Wednesday, Sep 16 – Dec 9, 7–10 pm (12 sessions)

This is a good painting class for beginning or intermediate-level oil painters who want to develop their own personal painting style and approach to imagery. Through individual guidance, students explore painting strategies and working methods. Prerequisites: basic drawing skills.

Instructor: Joan Elliott

Monday, Sep 14 – Nov 30, 7–10 pm (12 sessions)

Explore drawing and painting from direct observation, photos, or sketches and depict various subjects including the still life, human figure, and landscape. Students develop a more personal approach to imagery, drawing, and painting styles by examining the formal and expressive aspects in their work and that of classical to contemporary artists. Prerequisites: basic drawing and painting skills.

Instructor: Joan Elliott

Saturday & Sunday, Sep 19 & 20, 10 am–4 pm (2 sessions)

Develop observational drawing skills and learn to capture depth, details, and sense of place through architectural illustration. After learning the basics of one-and two-point perspective, explore the museum grounds with the instructor to practice sketching on site. Back in the studio, choose one of your sketches to refine using watercolor and ink. Previous experience with watercolor is not necessary. The workshop is a great way to jumpstart a travel sketchbook or urban sketching practice. Prerequisites: basic drawing skills. 

Instructor: Catherine Purdy

Saturday, Sep 19, 10 am–4 pm (1 session)

Encaustic painting is an ancient process using molten, pigmented beeswax to create layered and luminous art. Designed for both new and experienced painters, the instructor teaches classic encaustic techniques and ways to combine them with contemporary painting techniques and mixed media. Discover collage, incising, texturizing, surface embellishment, and relief work, as well as how to combine oil paint, pastels, inks, watercolors, and gouache with the encaustic. Some materials included.

Instructor: Karen Eide

Sunday, September 20, 10 am–4 pm (1 session)

Designed for students with a basic understanding of encaustic painting who want to dive deeper into the practice, this workshop builds foundational skills while reinforcing techniques in layering, image integration, and surface manipulation. Emphasis is placed on refining technique and strengthening individual visual language. Some materials included. 

Instructor: Karen Eide

Saturday & Sunday, September 26 & 27, 10 am–4 pm (2 Sessions)

This workshop introduces oil pastels and paint sticks for painterly approaches to drawing flowers and plants. Students explore colored grounds, glazes, and various methods of layering color as well as color mixing and interaction. Prerequisite: basic drawing skills.

Instructor: Diana Detamore

Saturday & Sunday, September 26 & 27, 10 am–4 pm (2 Sessions)

This new approach to color allows for a more expressive conversation between the artist and viewer. Students learn how to stratify the visual information in their own selected images to create eye travel and a compelling, distinct narrative. This workshop is not color-palette sensitive. Any painting medium (oil, acrylic, gouache or watercolor) is welcome. Instruction begins with skill-based exercises that can be references for students’ future paintings and concludes with work on an individual composition.  Art history tie-ins will include works from the VMFA. The second day will be primarily spent on applying this knowledge to your own work. 

Instructor: Kathy Calhoun

Saturday & Sunday, October 3 & 4, 10 am–4 pm (2 sessions) 

Beginning artists and those wanting to brush up on their skills will discover the basics of drawing, including pattern and composition, light and shade, proportion, three-dimensional form, and perspective. Learning through demonstrations, discussions, and individual instruction, students complete multiple drawings working from the still life and landscape images. Soft vine charcoal (assorted sizes), 18" × 24" sketchpad and a kneadable eraser required.

Instructor: Dawn Flores

Saturday, October 3, 10 am–4 pm (1 session)

Experiment with new techniques, materials, and more to make innovative collages. The teacher will demonstrate ways to design, mount, and present your artwork in this workshop designed for all levels of experience.

Instructor: Martha Prideaux

Saturday & Sunday, October 10 & 11, 10 am–4 pm (2 Sessions)

This workshop provides step-by-step instruction on a variety of watercolor techniques, including special effects, glazing, wet on wet, washes, and more. Working from colorful photographs or still lifes of flora and fauna, students explore the full range of watercolor painting. Prerequisite: basic drawing skills.

Instructor: Dawn Flores

Saturday, October 17, 10 am–4pm (1 session)

Start by exploring a variety of drawings of the human form by other artists. Then with guidance from the instructor and working from a live model, learn to create expressive portraits in charcoal and pencil. Prerequisites: basic drawing skills. 

Instructor: Amy Smith

Saturday & Sunday, October 24 & 25, 10 am–4 pm (2 sessions) 

This workshop will teach students how to build beautiful textured surfaces using cold wax medium and oil paint. Experienced and beginning painters are welcome. The workshop will consist of demonstrations and hands-on practice. With guidance from the instructor, students will create small-scale studies and paintings using various techniques and leave with an understanding of how to use the wax medium to build gorgeous, layered surfaces in future paintings. Prerequisites: basic drawing & painting skills. 

Instructor: Martha Prideaux

Saturday & Sunday, October 31 & November 1, 10 am–4 pm (2 sessions) 

 This workshop is an introduction to painting with Gouache, an opaque water-soluble medium that is like watercolor. The medium offers highly saturated colors, flexibility, and spontaneity, applied in layers like acrylics or oils. Great to use as a sketching medium to plan larger paintings or for finished artwork.  Students will learn to use gouache to make studies, to plan compositions and color themes that they may use for larger works. Prerequisites: basic drawing & painting skills. 

Instructor: Maria Reardon

Saturday & Sunday, November 7 & 8, 10 am–4 pm (2 sessions)

Learn how to capture the unique personality of your favorite furry friend. Start by studying the anatomy and features of different animals, focusing on the artistic process of making detailed studies. Then with guidance from the instructor and working from photographs, create accurate and expressive portraits of your own pet using drawing materials and oil or acrylic paint.  

Instructor: Catherine Purdy

Saturday & Sunday, November 21 & 22, 10 am–4 pm (2 session)

This is a great workshop for intermediate drawing students to practice their portrait drawing skills. Working from a live model, students will learn how to capture a likeness and expression in their portrait drawing. The workshop will include demonstrations and one-on-one guidance. Pastel techniques and materials will be discussed. Prerequisite: intermediate drawing skills 
using soft pastels.

Instructor: Maria Reardon

Tuesday, September 15 – December 1, 10 am–1 pm (12 sessions)

Willa Cather wrote, “Some memories are realities and are better than anything that can happen to one again.” Ernest Hemingway wrote, “Memory is hunger.” This class merges the two notions that memories are heightened experiences and that they make us hunger for more. The instructor offers students encouraging feedback and specific writing prompts to help develop ideas.  

Monday, September 14 – November 30, 7–10 pm (12 sessions)

Each of us has a dark self. Sometimes we glimpse it in dreams; sometimes we come to know it in our thoughts or imaginings. The aim of this course is to draw it out and see what we can learn from it. Students explore ways in which a realization of the shadow can open creative avenues for use in various writing exercises, including guided imagery, dream work, and active imagination.

Instructor: Douglas S. Jones

Saturday, October 17, 10 am – 4 pm (1 session)

Willa Cather wrote, “Some memories are realities and are better than anything that can happen to one again.” Ernest Hemingway wrote, “Memory is hunger.” This class merges these two notions: that memories are heightened experiences, and that they make us hunger for more. The instructor offers students encouraging feedback and specific writing prompts to help develop ideas.

Saturday & Sunday, October 3 & 4, 10 am – 4 pm (2 session)

With guidance from the instructor, students will create poems in both Spanish and English, inspired by artworks in the VMFA galleries. Students will also make small collages and simple drawings to illustrate the poems. On the second day of the workshop, these pieces will be assembled into a small handmade zine, allowing participants to combine various techniques including writing, collage, drawing and design into a personal bilingual booklet that they can take home and enjoy. Both Spanish and English speakers are welcome.

Monday, October 26–November 30, 7–10 pm (6 sessions)

Find out what white balance, resolution, and mega pixels are all about. This class teaches students to use their digital cameras more effectively, including the fundamentals of image capture, camera operation, proper exposure, and using a flash. Weekly assignments and sharing images in class help beginning photographers troubleshoot and develop a creative eye. Bring a digital camera with manual adjustments and the camera manual to the first class.

Instructor: Kevin Morley

Wednesday, September 16 – December 9, 7–10 pm (12 sessions) 

This class is for anyone who wants to get into the darkroom. Those with no or non-recent experience will be taught the basics of developing film, as well as making contact prints and enlargements. Topics include mixing chemistry, enlarger operation, adjusting contrast and density, making photograms, contact sheets from negatives, editing, and printing enlargements. Students will shoot photos outside of class time and use the darkroom during class. Those with recent darkroom experience are also welcome and will receive feedback during lab time. Students must provide their own film camera, film, and photo paper. Photo chemistry will be supplied.

Instructor: Georgianne Stinnett

Tuesday, September 15 – December 1, 7–10 pm (12 sessions) 

This course is for experienced photography students who want to pursue personal work 
with guidance from the instructor. Most of the class time will be spent in the darkroom with the instructor providing technical support and advice for short and long–term projects. A 35mm film camera with manual settings, film and photo paper is supplied by the student. Photo chemistry is supplied. Prerequisite: Recent VMFA photography 
darkroom experience or permission of the 
instructor.

Instructor: Georgianne Stinnett

Friday, September 18 – December 11, 10 am–1 pm (12 sessions) 

Experiment with various monotype processes and produce work in oil- or water-based ink or paint by hand and on the etching press. With individualized technical guidance from the instructor, try other print techniques including Gelli plates, watercolor transfers, and collagraphs. Students will also learn to make simple books to display prints. Individual critiques will be provided. This is a great introduction to one-of-a-kind prints. Prerequisites: basic drawing and painting skills.

Instructor: Mary Holland

Tuesday, September 15 – December 1, 10 am–1 pm (12 sessions)

Learn how to incorporate plant botanicals: leaves, fronds, grasses, etc. as a primary component in your prints. These natural materials are a great way to easily add silhouettes, intricate detail, and textures to your work. Students will use the monotype process including Gelli plate prints. The technique is very engaging, and the printed results are beautifully expressive. Prerequisite: basic drawing & painting skills.

Instructor: Randy Toy

Tuesday, September 15 – November 3, 7–10 pm (8 sessions)

This class will take you through the step-by-step process of making a relief print using Speedy Cut, a product like linoleum but easier to cut. Students will create a nature-inspired design, learn to transfer the design to the Speedy Cut block, carve the block, ink the block, and create a small edition of prints.  If students are interested and time permits, the instructor will introduce printing in multiple colors using the reduction printing process. At the end of the class students will have the opportunity to participate in a “print exchange” with your fellow students. You will leave the class with your own prints as well as a collection of prints by others.

Instructor: Grace Mae Huddleston

Saturday, October 10, 10 am–4 pm (1 sessions)

Learn how to incorporate plant botanicals: leaves, fronds, grasses, etc. as a primary component in your prints. These natural materials are a great way to easily add silhouettes, intricate detail, and textures to your work. The technique is very engaging, and the printed results are beautifully expressive. No experience is required. 

Instructor: Randy Toy

Saturday, October 24, 10 am–4 pm (1 session) 

The Gelli plate is a wonderful tool for creating monotypes simply. With stencils, stamps, and transparent paints, as well as some planning, complex artwork results. Explore color theory and composition and enjoy using your own "printing press." Collage techniques will also be covered. Students must provide their own Gelli plate (8"x 10" or larger) and other materials. 

Instructor: Mary Holland

Thursday, September 17 – December 10, 10 am–1 pm (12 sessions)

For students of all levels, this class teaches pottery making and design using various materials and techniques, including wheel-thrown and hand-built methods. By exploring the history of pottery making, students gain a better understanding of design. Individual critiques and technical assistance provided. Firing, glazes, and 25 pounds of clay are included. Extra clay is available for purchase.

Instructor: Jesse Gritzinger

Tuesday, September 15 – December 1, 7–10 pm (12 sessions)

For students of all levels, this class teaches pottery making and design using various materials and techniques, including wheel-thrown and hand-built methods. By exploring the history of pottery making, students gain a better understanding of design. Individual critiques and technical assistance provided. Firing, glazes, and 25 pounds of clay are included. Extra clay is available for purchase.

Instructor: Tracy Shell

Thursday, September 17 – December 10, 7–10 pm (12 sessions)

For students of all levels, this class teaches pottery making and design using various materials and techniques, including wheel-thrown and hand-built methods. By exploring the history of pottery making, students gain a better understanding of design. Individual critiques and technical assistance provided. Firing, glazes, and 25 pounds of clay are included. Extra clay is available for purchase.

Instructor: Jesse Gritzinger

Tuesday, September 15 – December 1, 10 am–1 pm (12 sessions) 

Create sculptural forms and hand-built vessels in this class that focuses on techniques, including coil and slab construction methods. Students experiment with various glazes and slips and are introduced to the history of ceramic art. Bring sketches of ideas to the first session. Both beginning and experienced clay students are welcome. Firing, glazes, and 25 pounds of clay are included. Extra clay is available for purchase. 

Instructor: Tracy Shell

 Wednesday, September 16 – October 21, 7–10 pm (6 session)

Explore several methods of handstitched embellishment for fabric, including embroidery, Kantha, Sashiko, Boro, and visible mending. Reap the benefits of a meditative and calming approach to artmaking with fabric. All class materials are included for a $20 fee, due to the instructor at the beginning of the class. 
Students should provide their own clothing items or bags to mend or embellish.

Instructor: Julia Pfaff

Saturday & Sunday, September 26 & 27, 10 am – 4 pm (2 sessions) 

Learn the ancient art of Shibori (Japanese-style tie-dye) using the king of natural dyes: indigo. Participants will make several pieces of richly patterned fabric along with two cotton kitchen towels and a silk scarf. A materials fee of $30, payable to the instructor at the beginning of the workshop (check or cash) covers most materials. Students can bring a few small natural fiber items from home to dye (cotton, silk, or linen). 

Saturday, October 3, 10 am – 4 pm (1 session) 

Participants will learn the history of visible mending with roots in Japanese Sashiko stitching and Indian Kantha stitching. With guidance from the instructor, students will make a mending sampler featuring a variety of stitches to fix tears and holes in loved and worn clothing. You will learn skills to repair your garments and make them more interesting in the process. The instructor will provide a mending kit for $20, payable at the beginning of the workshop (check or cash). You may also wish to bring an additional cloth or clothing item to work on during the workshop.

Instructor: Julia Pfaff

Saturday & Sunday, October 17 & 18, 10 am – 4:30 pm (2 sessions)

Learn the basics of stained glass and create a small window panel in your choice of patterns. Techniques covered in the workshop include pattern making, glass cutting, copper foiling, soldering, and construction. Make something beautiful to treasure or give as a gift.  All materials are included.

Instructor: Jude Schlotzhauer

 Saturday, October 24, 10 am–4 pm (1 session)

Sashiko is an ancient Japanese style of decorative stitching that draws inspiration from nature. Using grids and careful stitching this meditative technique creates designs that are visually striking. Participants will learn about Sashiko’s history, materials, and patterns. Expect to create several samples 
during class. All materials are included for a $20 fee (cash or check) payable to the instructor at the beginning of the workshop. All sewing levels are welcome.

Instructor: Julia Pfaff

Saturday & Sunday, November 7 & 8, 10 am–4 pm (2 sessions)

Learn how to make a small vessel out of wool and silk fibers or expand your skills. Fine merino wool roving, a resist, hand manipulation and a bit of experimentation will all be used to make a decorative container. The use of other materials for embellishment will also be explored, such as fabric, silk paper, and yarn. You will need to get your hands wet and soapy and be able to manipulate the wool with your hands in a repetitive motion. A fee of $20 (cash or check) payable to the instructor at the beginning of the workshop will cover materials for the felt vessel. Please bring two old towels and one hand towel. All other tools will be provided for use in the workshop. 

Instructor: Shelley Jones

 Saturday, November 21, 10 am–4 pm (1 session)

Spend a day creating handmade holiday gifts, cards, and decorations with your own hands. Skip the holiday crowds and stressful errands and fold paper stars, print your own gift tags and cards, design and cut out folk art-inspired paper garlands, and construct sparkly matchbox dioramas. There will be glitter!

Instructor: Sarah Hand

Monday, October 5 – November 30 (no class Oct 19), 5:30–6:30 pm (8 sessions)

This beginning-level yoga class incorporates stretching, strengthening, and breathing exercises to reduce stress and promote optimum health and well-being. Participants should use an exercise or yoga mat and wear comfortable clothing to this hour-long, instructor-led class.

Instructor: Jodi Bock

Tuesday, October 6 – November 24, 5:30–6:30 pm (8 sessions)

This beginning-level yoga class incorporates stretching, strengthening, and breathing exercises to reduce stress and promote optimum health and well-being. Participants should bring an exercise or yoga mat and wear comfortable clothing to this hour-long, instructor-led class.

Instructor: Jodi Bock